Sculpture gardens and artistically created parks are rich in tradition, dating back to Roman times. Elevated to an artform in their own right during the Renaissance, many examples pay tribute to this day to the representational needs of the baroque aristocracy. New and varied interpretations of the art of classical garden landscaping have been created ever since.
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The individuality of the Sculpture park Serpara is due to its unique and personal history. Here, the artist has succeeded in the exemplary presentation of his sculptural body of work in its original context. The park is an open secret. Although created for the visitor, it never forces itself on the spectator, preferring to be discovered. The intimacy of the grounds represents a challenge to both resident and visitor: through the interplay of different factors, the boundaries between living and work spaces are as fluid as those leading to the exhibition site. What is more, the boundaries between art and sculpted nature are blurred. There are no rigid hours of opening, just as there are no rigid working hours and the rich diversity of guests is matched only by that of the species in the garden. Visitors, incidentally, are guided through the grounds by the artist himself. Those who wish to do so, may catch a glimpse behind the scenes.
Designed as a permanent establishment, the museum park grows annually with the addition of works by Paul Wiedmer as well as through guest presentations and permanent loans by invited artist friends. At the same time, the botanical garden enchants with its natural ornamental detail and lends a generous backdrop to the sculptures.